This Narration clip explores the National Aquatics Center, built for the Beijing Olympics in 2008, widely known as ‘The Water Cube’, through a cinematic lens.
The goal of the performance wasn’t to describe a building—it was to give it presence.
“The Water Cube is as much an idea as it is a structure, and the narration needed to reflect that sense of scale, innovation, and quiet awe.”
The read leans into pacing and atmosphere.
Lines are delivered with space and intention, allowing the listener to visualize light moving through the structure, the geometry of water and air, and the feeling of standing inside something designed to be both monumental and human.
This style of narration lives somewhere between documentary and film—measured, confident, and immersive.
Coached by Thom Pinto, my performance focused on restraint and clarity. Instead of leaning into grandeur, the direction emphasized calm authority and controlled energy.
The narration lets the story unfold naturally, trusting the subject matter to carry weight without overstatement.
This clip reflects my approach to architectural, museum, and high-concept narration; projects where tone matters as much as information.
“It’s about guiding the listener through an experience, not overwhelming them with detail.”
For brands, institutions, and filmmakers looking for a voice that can support visually rich storytelling with precision and presence, this Water Cube narration is a strong example of how I approach long-form, cinematic work.
Contact William ( Bill)
Email: bill@wmcline.com
Call 401-523-2876
